Earlier this year I completed a project called Trash Orchestra that involved 175 primary school students over six weeks. The kids constructed musical instruments from discarded materials and recorded an album of original music with Australian contemporary artist and vocalist Tina Stefanou and composer Joseph Franklin.
In a poetic twist following the completion of the project, the instruments themselves were then reused by Tina for an artwork entitled Can I Bare Children?. In Tina's words:
"Transported into the exhibition space these childhood relics act as questions marks - playing out narratives of consumption, objects and there relationships to each other, and the question of child rearing in a time of environmental and economic uncertainties. Can we re-design our cultural memory to meet new needs and new economies of being without baring [sic] weight on our shared lived ecology? The objects are not limited to themselves but to space and time. Once a sound is made it is never unmade - it ripples infinitely. Like the materials that form a bigger narrative, the components are orchestrated to decompose at different rates - the child, the rock, the cardboard, the wire - all move with us and beyond us in this living morphology of beingness. Not seeking to resolve or produce, Can I bare children? explores fluctuations and indeterminate factors of being in time as felt through the artist’s ageing female body."
(Stefanou, T (2018), 'Can I Bear Children?', Tina Stefanou, viewed 1 July 2018, http://www.tinastefanou.com/#/new-gallery-3/)
Here's a photo of the installation, which included a 14 minute loop of the original album.